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浮世絵の伝来と邂逅の系譜から－19世紀フランスをめぐる北斎と広重の受容と変容－
https://sojo-u.repo.nii.ac.jp/records/1563
https://sojo-u.repo.nii.ac.jp/records/15633dfd2452-0308-4fd6-b3fe-7d1360994c3c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
浮世絵の伝来と邂逅の系譜から－19世紀フランスをめぐる北斎と広重の受容と変容－ (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper _reDeposit_v1(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2021-04-23 | |||||
| タイトル | ||||||
| タイトル | 浮世絵の伝来と邂逅の系譜から－19世紀フランスをめぐる北斎と広重の受容と変容－ | |||||
| タイトル | ||||||
| タイトル | From the genealogy of the introducing and the encounter with Ukiyo-e－The Acceptances and changes of Aesthetics by Hokusai and Hiroshige in 19th century France－ | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 浮世絵版画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 東西交易 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 遠近法 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | バルビゾン派 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ジャン=フランソワ・ミレー | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 印象主義 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | クロード・モネ | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Ukiyo-e prints, East-west trade, Perspective, The Barbizon School, Jean-François Millet, Impressionism, Claude Monet\n | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | The fact that Japanese Ukiyo-e influenced the Barbizon School and later generations of French painters is widely known. In the glorious history of 19th century French painting in full bloom, Jean-François Millet (1814-1875), who pursued realism with the theme of farmer's activities and Claude Monet (1840-1926), who advocated Impressionism exploring the effects of light and color, opened up an original painting world inspired by Ukiyo-e, especially Hokusai and Hiroshige. The age difference is 26 years old, and the two painters, who are generationally separated by a quarter of a century, are typical of the Barbizon School and the Impressionist beliefs to which they belong because of their thorough and inquisitive way of life.Amid the inheritance and disconnection between the Barbizon School and the Impressionist, especially Millet and Monet, the modeling of Ukiyo-e, which came from a foreign country in the far east, Japan, was a common concern for 10 years from the 1860s to the 1870s. It became a base for painters as a new visual language. This fusion of eastern and western aesthetics was the beginning of a story in which European art, which has long been bound by tradition and norms since the Renaissance, was dramatically transformed by the values invited from regions other than Europe. | |||||
| 作成者 |
村上, 哲
× 村上, 哲 |
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| 書誌情報 |
崇城大学芸術学部研究紀要 号 14, p. 147-167, 発行日 2020 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 1883-9568 | |||||
| 国立情報学研究所 メタデータ主題語彙集 | ||||||
| 主題Scheme | Other | |||||
| 主題 | Departmental Bulletin Paper | |||||
