@article{oai:sojo-u.repo.nii.ac.jp:00001563,
 author = {村上, 哲},
 issue = {14},
 journal = {崇城大学芸術学部研究紀要},
 month = {},
 note = {The fact that Japanese Ukiyo-e influenced the Barbizon School and later generations of French painters is widely known. In the glorious history of 19th century French painting in full bloom, Jean-François Millet (1814-1875), who pursued realism with the theme of farmer's activities and Claude Monet (1840-1926), who advocated Impressionism exploring the effects of light and color, opened up an original painting world inspired by Ukiyo-e, especially Hokusai and Hiroshige. The age difference is 26 years old, and the two painters, who are generationally separated by a quarter of a century, are typical of the Barbizon School and the Impressionist beliefs to which they belong because of their thorough and inquisitive way of life.Amid the inheritance and disconnection between the Barbizon School and the Impressionist, especially Millet and Monet, the modeling of Ukiyo-e, which came from a foreign country in the far east, Japan, was a common concern for 10 years from the 1860s to the 1870s. It became a base for painters as a new visual language. This fusion of eastern and western aesthetics was the beginning of a story in which European art, which has long been bound by tradition and norms since the Renaissance, was dramatically transformed by the values invited from regions other than Europe.},
 pages = {147--167},
 title = {浮世絵の伝来と邂逅の系譜から－19世紀フランスをめぐる北斎と広重の受容と変容－},
 year = {2020}
}