@article{oai:sojo-u.repo.nii.ac.jp:00000025,
 author = {下城, 賢一 and Kenichi, SHIMOJO},
 issue = {6},
 journal = {崇城大学芸術学部研究紀要},
 month = {Mar},
 note = {I would like to discuss mainly on"line drawing"includes drawing and"monochrome"which was named and categorized by the Swiss painter Paul Klee himself, who was primarily active in Germany in the early 20th century,from the wide variety of his paintings.It is not only to clarify the meaning of the "line"for Klee by treating the"line drawing"which was drawn consistently in the midst of the changing style of his painting from his childhood deep into adulthood, but it is the goal to discuss how the real three-dimensional image will lead the"line"and transform it into the two-dimensional image in vidual expression., 110009558508},
 pages = {3--21},
 title = {パウル・クレーにおける「線描」の発展と考察},
 year = {2013}
}