@article{oai:sojo-u.repo.nii.ac.jp:00001354,
 author = {安森, 大樹},
 issue = {12},
 journal = {崇城大学芸術学部研究紀要},
 month = {},
 note = {Taro Okamoto, who played role as an avant-garde artist in postwar Japan, not only produced works but also had a great influence on the art world and the society of those days. It is implied through the continuous holding of exhibitions, video works and features in magazines focused on Okamoto as well as research in various academic fields. However, from my point of view, there is no study that provides an overview of the earlyr literature on Okamoto, analyzes who addresses what related to Okamoto, in particular method.In this study, I investigated the academic fields of the researchers to divide then into four fields: “art critic and art historian,” “sociologist, philosopher and intellectual historian,” “art pedagogist,” and “others.” Then, I organized discussions by field and chronologically, and verified the contents to reveal the academic fields, researchers, current status of research and unresolved issues of study on Okamoto.},
 pages = {27--48},
 title = {岡本太郎の芸術思想・作品に関する先行研究とその問題点},
 year = {2019}
}